New Media/ Multimedia  ENG 721 Syllabus

 

English 721                                                   Office Phone: (603) 570-2202

Spring ’08                                                      Home Phone: (603) 580-5444

Howard Altschiller                                      Cell Phone: (603) 686-0738

Office: Hamilton Smith 103                                  e-mail:  haltschiller@seacoastonline.com

 

Overview:

 

The audience for news and information is moving rapidly to the web. The pace of this migration increases with each passing day. It is essential for anyone planning a career in communications to know how to create content for an online audience. This class will provide an overview of online journalism as it is practiced today as well as introductory training in audio, still photography, video, multimedia and blogging. Students will study best practices in multimedia; create audio reports, Soundslides, videos, a blog; and learn how to publish online.

 

Course Outline:

 

Class 1, Jan. 23: Welcome:

 

Introductions:

The class blog

Why a class in New Media?

Equipment Needs

Review Schedule

Conference Hours:

 

Assignments for Jan. 30:

 

  1. Create your own class-related blog using Google’s Blogger software. You will regularly post to this blog and also use it to post your work for others to see. You will find helpful links on our class syllabus: http://unheng721.

 

  1. Once you have blog set up write a post about what you hope to get out of the course and link to an example of online journalism you admire.

 

  1. Read chapter 5 of Journalism 2.0 on blogging.

 

Class 2, Jan. 30: Audio storytelling:

 

Jon Greenberg, executive editor at NHPR, talks about telling stories with sound. He’ll discuss how to plan, interview, edit and broadcast audio stories. Jon will also discuss the growing importance of podcasts and other changes the online revolution has brought to the radio industry.

 

Assignment for Feb. 6: Conduct an audio interview. Choose your interview subject carefully as you will be spending a lot of time with him or her. Make sure you can conduct follow-up interviews and will be able to photograph them later doing whatever activity it is they discuss in your interview. The interview should focus on something the subject feels strongly about. Perhaps it is a hobby or volunteer work, religion or politics. The goal of the interview will be to get to the heart of your subject in a way that is meaningful. Please bring this audio clip with you to class on Feb. 6.

 

Reading Assignment: Sound in the Story (handout); first lesson in audio for journalists, Mindy McAdams, link off class blog.

 

Class 3, Feb. 6: Editing Sound:

 

We’ll have a visit from Scott Yates, a recent UNH graduate and staffer at the Portsmouth Herald who will show how he puts together slide shows using Audacity and SoundSlides. We’ll spend the remainder of the class on the lab computers using Audacity to edit the sound we’ve captured.

 

Assignment for Feb. 13: Reading, to be determined.

 

Class 4, Feb. 13: A Detour with Damon Kiesow, managing editor for online news at the Nashua Telegraph:

 

Damon’s topic will be Speaking Digital:

 

The invention of the printing press brought us mass literacy, public libraries, and the Protestant Reformation. The Internet will have no less of an impact on culture and civilization worldwide. As journalists, we need to understand  the who, what, where, when and why people are living online. YouTube, Flickr and Facebook are examples, but they are only second-generation products. Newspapers and other media need to start living online, or at least start speaking the language, or face irrelevance.

 

Damon will touch on trends in digital media, talk about innovative examples – Twitter, Facebook,  YouTube, Google,  etc. and generally try to evangelize for thinking of the medium less as a series of disconnected products and tools and more as a revolution in how people understand themselves and each other.

 

There will be plenty of hands-on examples and opportunities for questions.

 

Assignment For Feb. 20: Update your blog with observations on Damon’s presentation.

 

Finish your Audacity Audio Project.

 

 

Class 5, Feb. 20: Finish and Post Audacity projects to the web.

 

Class discussion about the projects with input from Wally Keniston, director of the WUNH News Department.

 

If time:  Shooting quality still images:

 

Award-winning photographer Deb Cram shows us the basics of how to take quality photos with point and shoot cameras.

 

Assignment For Feb. 27: Shoot a series of portraits of the person you profiled on your audio story. You’ll need at least 20 images.

 

Blog about your experiences taking the photos.

 

Bring your photos to conference so I can show you how to pull them into photo story or soundslides.

 

Class 6, Feb. 27: Putting it all together.

 

We’ve got our audio and our still photos. Now let’s put it all together using Soundslides. Photographer Rich Beauchesne will be on hand to offer guidance and tips as we spend this class doing a hands-on project.

 

Assignment: Continue work on Soundslide project. Perhaps we’ll have just one big conference and open the lab to let people continue working.

 

Class 7, March 5: Class critique of what we have done in soundslides.

 

Assignment: Reading, to be determined. Blog about reading assignment.

 

Class 8, March 12: Introduction to video: Deb Cram

 

Assignment: Have fun.

 

March 19: Spring Break

 

Class 9: March 26: Natalie Jacobson visiting professor discusses her new web-based project.

 

Class 10: April 2: Which medium should I use?

 

Don Himsel, chief photographer for the Nashua Telegraph, discusses the advantages and disadvantages of stills, Soundslides and video. Are there still times when print alone still makes the most sense?

 

Don will also provide a hands-on introduction to editing video.

 

Class 11: April 9: Posting to the web: Oh the places you (and your content) can go.

 

Class 12: April 16: Television, too

 

David Hurlburt, WMUR Executive Producer, coordinates the crossover between on air coverage and coverage on the web. How is web publishing impacting how broadcasters do their jobs? What changes has broadcast television made to its workflow? Guest TBA

 

Class 13: April 23: Pushing content. Don’t wait for the audience to come to you. E-Mail newsletters, text alerts etc.

 

Class 14: April 30: TBA

 

Class 15: May 7: Wrap up

 

GRADING CRITERIA

 

20 percent of your grade will be determined by class participation. Specifically, this means you must come to class prepared, with your assignments completed, and actively participate in discussions.

 

20 percent of your grade will come from your blog: For this class you will create a blog and then keep it updated. You will create the blog using Google’s free blogger tool. Use this blog for class-related subjects only. If you have personal items you want to broadcast to the web please do that on a separate, personal, not for class or anything that has to do with me blog.

 

10 percent of your grade will come from small assignments such as capturing audio, shooting stills or shooting video. You will need to do these assignments well in order to succeed at your major projects which will encompass the remainder of your grade.

 

50 percent of your grade will be based on two multimedia projects. They can either be soundslides or video. One will be due March 12 and the other will be due at the end of the semester.

 

How will your projects be graded?

 

An A project would be publishable on a news website with minimal editing.

 

* B project would be publishable on a news website after moderate editing and perhaps a small amount of additional reporting. ("Editing" means content editing as well as technical editing.)

 

* C project would be held for publication because it needs substantial additional reporting and revision; the story would give your editor some doubts about whether you could do the job. That's because in a newsroom, what might be average elsewhere isn't good enough.

 

* D project would be rejected entirely either because it doesn’t convey information of value or is technically deficient.

 

Technical criteria will include:

 

Quality of subject covered: Is your subject interesting? Did you get to the heart of the matter or are you wasting the viewer’s time. If it is a profile of an individual, have we really gotten to know the person or is this just a superficial glimpse? If it is a news topic, what have we learned as a result of your piece?

 

Quality of content: If it is a Soundslide are the photos high quality and compelling. Is the audio clear and edited concisely. If it is video, is it steady, well focused? How is the sound quality?

 

Conference:

 

Every week we’ll meet in Hamilton-Smith Room 103 for 15-minute conferences to discuss your completed work and ongoing projects. Please let me know in advance if you cannot make a conference otherwise you’ll be marked absent which will lower your grade.

 

Attendance:

 

Attendance in class and conference is mandatory, as is completing your weekly assignment.

 

* Missing one class, conference or deadline is forgiven.

* If you miss two of the class, conference or deadline you will receive a raised eyebrow and a warning.

* If you miss any combination of three classes, conferences or deadlines, your final grade will drop a full letter.

* If you miss any combination of four classes, conferences or deadlines, you will flunk the course.

* Three late arrivals to class or conference equal an absence. Your grade will be affected.

 

Keep in mind that if you miss a class, you also will miss a deadline, which is counted as two absences. One more slip and your grade will drop. If you encounter an emergency and cannot possibly make it to class, call before 1 p.m. Wednesday. An absence from class or conference is only excused with a legitimate reason.